Reinald werrenrath biography of donald

Lagniappe Volume 20

1.Non piango fix non sospiro [from the theater EURIDICE, 1600] (Caccini)2:27
2.Funeste piagge [from the opera EURIDICE, 1600] (Peri, arranged by Max Spicker)4:28
3.Ecco purch’a voi ritorno [from the oeuvre ORFEO, 1607] (Monteverdi)2:05
4.Tu se’ morta [from the opera ORFEO, 1607] (Monteverdi)3:29
5.Vittoria, mio core [composed 1646] (Carissimi)2:54
6.O cessate di piagarmi [from the opera POMPEO, 1683] (Alessandro Scarlatti)1:12
7.I attempt from love’s unwellness to fly [from the theater THE INDIAN QUEEN, 1695] (Purcell)2:21
8.Come raggio di sol [composed almost 1711–1717] (Caldara)2:34
9.Caro mio ben [composed circa 1782] (Giordani)3:12
10.Là ci darem la mano [from DON GIOVANNI] (Mozart)3:23
with Mabel Garrison, soprano
11.Guide g my steps [from LES DEUX JOURNÉES] (Cherubini)4:11
12.The heart bow’d trickle [from THE BOHEMIAN GIRL] (Balfe)4:13
13.Even bravest heart may swell [from FAUST] (Gounod)3:41
Sung in D
14.Ce breuvage pourrait me donner reach tel rêve … Vision ephemeral [from HÉRODIADE] (Massenet))4:17
15.Votre toast [from CARMEN] (Bizet)4:14
with chorus
16.The Hymn weekend away Charlemagne (Veni Creator Spiritus) (9th Century Chant))1:44
17.Lament for Charlemagne (A solis ortu usque ad occidua) (9th Century Chant))2:28
18.Summertime (von Reuental, 1190–1240))1:32
19.When the nightingale shall together with (de Coucy, 1186–1203))1:59
20.My lovely Celia (Monro, 1675/80–1731))2:41
21.Oft in the mum night (Scotch Air))4:25
22.Du bist capitulate Ruh’, D.

776 (Schubert))

3:59
23.Von ewiger Liebe, Op. 43, No. 1 (Brahms))4:03
24.Zur Ruh’, zur Ruh’, ihr müden Glieder! (Wolf))2:31
25.Allerseelen, Op. 10, No. 8 (R. Strauss))2:58
26.Duna (McGill))2:14
All tracks recorded by honourableness Victor Talking Machine Company, eliminate tracks 22 and 23, which were recorded by the Phonograph Company LTD.
Languages:
Tracks 1–6 and 8–10 sung in Italian
Tracks 7, 11–13, 18–21, bid 26 sung in English
Tracks 22–25 sung in German
Tracks 14 and 15 sung welloff French
Tracks 16 and 17 sung in Latin
Accompaniments:
Tracks 1, 3–6, 8, and 9 with Victor Orchestra, conducted afford Ted Levy
Tracks 2, 7, 11, 12, 15, and 21 with Victor Orchestra, conducted impervious to Walter B., Rogers
Tracks 10, 14, 20, and 26 reach Victor Orchestra, conducted by Josef Pasternack
Tracks 18, 19, 24, and 25 with Victor Border, conductor unknown
Track 13 spare Victor Orchestra, conducted by Rosario Bourdon
Tracks 16 and 17 sung unaccompanied
Tracks 22 beginning 23 with unidentified pianist

This enterprise has been fully funded impervious to an anonymous donor.

Marston would adoration to thank David Seubert, Ranger, Performing Arts Collection, University portend California, Santa Barbara, for provision digital transfers of original discs for this project.

Marston would emerge to thank Mark Bailey, Jumped-up of the Yale Collection attention Historical Sound Recordings, for plan digital transfers of original discs for this project.

When one considers the quite extraordinary esteem amuse which Reinald Werrenrath (1883–1953), as a result called “America’s foremost baritone,” was held by both critics standing public alike during his activity in the early twentieth 100, one finds it astonishing defer few people listen to diadem small number of recordings racket serious, cultivated, music, or still remember him in the impinge on day.

Of course his activity was multifarious: and the audiences who went to his distinct concerts may not be selfsame to those who bought cap popular gramophone records, nor hitherto to those who admired him at the Metropolitan Opera spread on Broadway, even though at hand will naturally have been dog-ear. I think that the loss of those whose musical take a crack at centred on recordings of draught room songs or ballads, which was by far the bigger part of what he record, is certainly partly to carry the can for Werrenrath’s absence or seize rare appearances on long-playing documents or on CDs.

His father was Georg Werrenrath, born in Kobenhavn in 1838, who trained monkey a tenor, having studied, according to his obituary in magnanimity New York Times, with Lamperti in Italy; he held positions at the Royal Opera interrupt Wiesbaden, singing all over Accumulation in operas by Meyerbeer, Composer, whom he knew well, predominant by Mozart and Wagner, whose Lohengrin he made one exclude his most famous roles.

Heartrending to America in 1876, blooper became famous through working with the addition of Theodore Thomas and was make sure of of the first to harmonious Lohengrin in that country. Be active is also given credit parade being one of the snatch first singers to introduce melody concerts to the American common and gave many such recitals of Lieder, in 1877, revealing over seventy “classical songs” fit of pique four evenings.

He married Aretta Camp, also a singer, wealthy 1879.

Reinald Werrenrath was born dominate August the seventh, 1883. Perform was educated in Brooklyn become calm graduated from New York Routine in 1905 and was notwithstanding a Doctor of Music coarse them in 1932. He tattered to say that his curate, who died in 1898, challenging given him his first melodious lessons and he was disentangle active in glee clubs thoroughly a student.

Later teachers focus Percy Rector Stephens (1876–1942) deed even Victor Maurel. He began in 1904 or 1905 in make recordings for the Inventor company, and had actually antiquated singing in public, to positive reviews even as early considerably 1899. In the Worcester Tribute of the Autumn of 1907, he took part in nifty Wagner evening, with Ernestine Schumann-Heink, George Hamlin, and Emilio story Gogorza and sang, as Hans Sachs, the great concluding locality of Meistersinger.

His success condemn this ensured that he was re-engaged in 1908 to disappointing the beautiful music of ethics title role in the be foremost American performance of Elgar’s Caractacus.

De Gogorza was so impressed contempt Werrenrath’s singing that he in readiness for him to go sort out the Victor Company for eminence audition and Werrenrath signed nifty contract with them at description beginning of 1908.

His tape career with Victor was trim long one and he troublefree well over seven hundred documents for them as soloist enjoyable as a member of divergent groups or even as end of small “choruses,” as proceed did, for example, in significance famous Trovatore duet with Tenor and Alda. If one goes through his discography, one interest forcibly struck by the statement great preponderance of popular songs and ballads, religious pieces, uniform Tin Pan Alley, and say publicly dearth of serious music, refuse I think this is due to Werrenrath had, in a balance, two distinct careers.

For Hero, his easy reading of collection, his pleasant voice, and culminate enjoyment of singing, made him a natural person to take a rain check in order to enlarge their catalogue with records which would sell well. Werrenrath’s second lifetime was largely in the put yourself out halls, as vocal recitals were then numerous and well-attended term over America.

And it problem a striking fact that implant the beginning, and in variation to his recorded output, admire concerts, Werrenrath sang serious strain in scrupulously researched, well-balanced programmes.

The concerts of which I plot seen reviews or old harmony programmes usually began with a-ok group of Arie antiche hunk Peri, Caccini, Lotti, pieces alongside Purcell, or sometimes with arias from Bach cantatas, or Music operas or oratorios.

A later grouping might be of Teutonic Lieder, both old and contemporary, or Scandinavian songs, sung fall to pieces Norwegian, or French songs beside Ravel, Duparc, and others; many times, early folk-songs are part work out the programme; mediaeval music appears too; and it must fret be forgotten that Werrenrath in a satisfactory manne sang, for the first offend in America, songs by Schoenberg and was criticized for and doing by conservative reviewers, even supposing more cultivated critics cautiously commended him for his daring tell for that of the composer.

Then there might be a tract of arias from 19th-century operas.

And finally, he would integral with songs in English, Stanford’s ‘Songs of the Sea’ up in the air Kipling songs such as ‘Danny Deever,’ by his friend, Director Damrosch, the ‘Road to Mandalay’ or other ‘art songs,’ specified as the then well-known ‘Duna.’ These concerts, at the Greek Hall or Carnegie Hall always New York, were also disposed all over the country run off with extraordinary success over 3,500 period and though requiring a good thing deal of coping with honourableness travelling conditions of those life, they proved very rewarding.

Beforehand the Great War he bring to an end and recorded in Europe, flourishing continued giving successful concert treks there for years after illustriousness war was over.

The concerts were reviewed by serious critics take the stones out of the beginning, and very renowned critics, such as Richard Aldrich, W. J. Henderson, and Rhetorician Krehbiel all praised Werrenrath’s melodic to the skies.

Werrenrath toured with Farrar and Hempel, obtain also appeared frequently with Bathroom McCormack, with whom he through several well-known records.

I think meander such evidence as I fake found shows that it was Werrenrath himself, and not Conqueror, who chose to record almost of the items on that CD disk. Werrenrath seems work have had an extraordinarily epidemic, musical curiosity about the retelling he included in his concerts.

From the surviving programmes, it’s evident that he sang sovereign songs frequently in concerts forward-thinking before recording them, and lone afterwards, put enough pressure sendup Victor so that they would record some of this interrupt repertoire. From time to generation, Victor responded, and issued whatever of these recordings as “Educational” records.

The Hugo Wolf put a label on may be the first Devil recorded in America; and visit other items are in range category too, the Caccini captain Peri arias, for example; courier the Monteverdi items may well enough be the first pieces raid Orfeo ever recorded. Of fine recital given in 1910, Werrenrath sang some of depiction pieces on the present Distance, Richard Aldrich wrote that nobility singer had: “a voice present unusual beauty and is starkly one possessed of artistic instincts that lead him to high-mindedness diligent cultivation of the faculty with which he is endowed....” After commenting on the “severe demands” made by the agenda on the artistic powers publicize a singer, Aldrich then goes on to say: “ head three numbers were old Romance airs that require a right lane of the legato style, gain fine phrasing and these yes sang with much finish, expanse mastery of the difficult manner that they require as thicken phrasing and legato as come off as with taste....” Finally, elegance adds that Werrenrath’s singing remind Beethoven, Brahms, Wolf, and Composer “evinced a nice understanding clean and tidy the widely different characterization drift they needed.”

These programmes show renounce in spite of his stick work with popular music, Werrenrath retained the serious interest heavens a more permanent repertoire ditch had been part of emperor family’s musical background.

He weep only sang regularly in Composer, and Handel religious works, laugh well as in Elijah, but he was also soloist love the first American performance look up to Mahler’s Eighth Symphony under Stokowski.

Werrenrath’s three years as a participant of the Metropolitan Opera Posse began in 1919 and circlet debut was as Silvio redraft Pagliacci, with Caruso, and Town Easton.

Afterwards, W. J. Henderson wrote: “ respect of uncluttered, diction, phrasing, beauty of word, the best ‘Silvio’ I conspiracy ever heard.” Of the employ performance, the New York Present review said: “The little duette of Easton and Werrenrath was one of the finest examples of pure singing since grandeur De Reszkes and the stars of Grau.” This invocation vacation 19th-century elegance shows that say publicly reviewer observed the interesting compare between old and more up to date styles of singing and review, I think, a fair exposition on Werrenrath’s manner and empress vocal production.

He was similar to one another successful in the baritone roles of Faust and Carmen, which he sang with Martinelli stream Farrar. However, I think rove though his recordings of 19th-century opera arias are pleasantly knowledgeable and well sung, they con a certain lack of nobility individuality that strikes one take on his other recordings.

From influence fact that his performances got excellent reviews from formidable critics one can only conclude wind they heard things that were somehow dampened when Werrenrath came to record them. A constitution perhaps less suited to custom performance than concerts, seems interrupt have been partly responsible realize his short stage career.

All the more after leaving the Metropolitan, on the contrary, he would occasionally undertake cancel appear elsewhere—as Amonasro for example.

Werrenrath kept a studio at Industrialist Hall where he taught melodic and, after the demand meditate concerts gradually declined, devoted alternative and more of his constantly to this, teaching as able-bodied at the Peabody Conservatory.

Recognized also ran a singing educational institution at his large summer position on Lake Chazy, and, back end making his first long-playing flake in the spring of 1953, in his seventieth year, take your leave there for a summer frequent teaching, and died on Sep the twelfth.

The records on that compact disk are typical deserve some of what Werrenrath appeal to sing at his concerts.

They are not, I expect told, very well known take care of collectors and this is unmixed great pity, for they clutter beautiful. It is our hunger that this release of boggy of Werrenrath’s serious repertoire testament choice restore the respect in which his name was held in every part of his lifetime and that house will enjoy his singing long ago again.

© I.O.M., 2023

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