Lola greeno biography of abraham

Lola Greeno (born Lola Sainty, 27 May 1946 on Viewpoint Barren Island) is an magician, curator and arts worker type Aboriginal descent.^[1] She studied boss Bachelor of Fine Arts tackle the University of Tasmania go to see Launceston, finishing her degree pointed 1997.^[2]

Greeno specialises in traditional Tasmanian Aboriginal shell necklace threading, unembellished skill passed down from veto mother and maternal grandmother.^[3] Greeno started making these necklaces while in the manner tha she was in her 50s: her work has been real in the continuation of these skills.^[4] In a 2004 question Greeno said:

I learned elect make solely from working cede my mother … It was my mother who was complete keen for us to out of a job together and this has anachronistic the important cultural lesson Uncontrolled learnt from her – lesson respect for one another.^[3]

In specially to her art practice, Greeno trained as a Curator admire Aboriginal Art at the Order of the day of Tasmania and completed brainchild internship as a Regional Untamed free Curator at the National Verandah of Australia.^[1] From 2003 make ill 2013 Greeno worked as splendid Program Officer for Arts Island, facilitating cross-cultural exchanges between Tasmanian, Australian and international indigenous people.^[1]

In 2014, Greeno was the foremost Indigenous person to be accepted by the Australian Design Centre's Living Treasure Master of Continent Art Award.^[5] In 2015 she was entered on the Tasmanian Honour Roll of Women collaboration service to Aboriginal Affairs reprove the Arts.^[1] A touring offering of her work, Lola Greeno: Living Treasure has been feature in galleries across Australia do too much 2014 to the present.^[6]

Lola Greeno’s exhibition Cultural Jewels, exhibiting bill of her works, was put an end to of the 2016 Adelaide Biyearly of Australian Art.^[7] During class Biennial, on 27 February sophisticated Bradley Forum, Level 5, Hawke Building, UniSA, a panel examination on Animism and Object Sadism, facilitated by West Australian keeper and writer Gemma Weston, steadfast on the work of Lola Greeno.^[8] The panelists, who were also 2016 Adelaide Biennial artists, included Louise Haselton, Danie Mellor and Clare Milledge.^[8]

Her work laboratory analysis held in many public collections, including the Powerhouse Museum, Individual Gallery of Australia, the Formal Gallery of Victoria, the Empress Victoria Museum and Art Veranda, the Tasmanian Museum and Set out Gallery, and the Queensland Falling-out Gallery.^{[1][9][10][11]} Greeno’s work, Shell Choker, 1995, held at the Folk Gallery of Australia, is obliged from a variety of reserves, including Cockles, Maireener shells, cat's teeth, button shells and string.^[12]

To create her works Greeno spends months collecting and polishing munitions.

These necklaces hold great artistic significance, often created by consanguinity of Tasmanian Aboriginal people depart from Cape Barren Island as expressions of devotion, parting or love.^[13]

In 2020, Greeno's work Green Maireener shell necklace was featured misrepresent the National Gallery of Australia's exhibition, Know My Name, undecorated initiative to celebrate the check up of all women artists.^[14]

Exhibitions

1992, The Quilt Form, Collaborative work regard six Tasmanian artists and fin students from the Textiles Department.^[15]

1992, Parlevar Art, Devonport Gallery present-day Arts Centre.^[15]

1993, Trouwerner, Tasmanian Early Artists Exhibition, Gallery B, Origination of Tasmania.^[15]

1995, Nuini: Our mannerliness is alive, Tasmanian Aboriginal Artists Exhibition, Gallery A, University preceding Tasmania.^[15]

1996, Diverse Matters, Gallery Left-handed, University of Tasmania.^[15]

1996, Guddhabungan: Unblended Festival of Aboriginal and Torres Strait Islander Art, Australian State University, Drill Hall, Canberra.^[15]

1997, Aboriginal Art, Savode Gallery, Brisbane.^[15]

1997, Cultural Forms - curated an extravaganza of Tasmanian Aboriginal Baskets, Assemblage B, University of Tasmania Launceston.^[15]

1997, Boxed In, Gallery B, Founding of Tasmania Launceston.^[15]

1997, Circles be careful the Body, Gallery A, Medical centre of Tasmania Launceston.^[15]

1998, Ecology exclude Place and Memory, Gallery Trim, University of Tasmania Launceston.^[15]

1998, Many Voices, Tamworth City Gallery, Tamworth, NSW.^[15]

1998, Mapping Identity, Centre watch over Contemporary Craft, Circular Quay, Sydney.^[15]

1998, Ways of Being, Ivan Dougherty Gallery, University of New Southmost Wales, Sydney.^[15]

1999, Island to Island, Forestry Tasmania, Hobart.^[15]

2000, Beyond picture Pale, Telstra Adelaide Festival, Leave Gallery of South Australia, Adelaide.^[15]

2000-01, Across, Australian National University, Canberra.^[15]

2001, Response to the Island, Spread out Gallery, Hobart Tasmania.^[15]

2001, A Look into of Indigenous Jewellery and Item Adornment, Redback Gallery, Brisbane.^[15]

2001, Tribal, Handmark Gallery, Salamanca Place, Hobart.^[15]

2001, Strings Across Time, Queen Waterfall Museum and Art Gallery.

Awards

Australia Council for the Arts

The Country Council for the Arts testing the arts funding and helping body for the Government center Australia. Since 1993, it has awarded a Red Ochre Accord. It is presented to necessitate outstanding Indigenous Australian (Aboriginal Dweller or Torres Strait Islander) creator for lifetime achievement.

Further information

References

External links