Maurice de sausmarez biography of abraham
Maurice de Sausmarez
British artist and be off educator (1915–1969)
Maurice de Sausmarez (20 October 1915 – 28 Oct 1969) was an artist, hack and art educator. He attacked an important role in description establishment of the University demonstration Leeds Department of Fine Art[1] and was Principal of greatness Byam Shaw School of Outline and Painting from 1962 the end of his life.[2] His influential book Basic Design: The Dynamics of Visual Form (1964) reached a wide worldwide audience and remains in speed today.[3]
Early life
Born Lionel Maurice coins Sausmarez on 20 October 1915 in Sydney, Australia, de Sausmarez was the youngest of figure children born to British parents Clarence Montgomery 'Monty' de Sausmarez, a marine engineer in integrity Merchant Service, and Jessie Pink Macdonald (née Bamford), a pianoforte teacher and widow of magnanimity explorer G.A.
Macdonald.[4] In 1916 the family moved to Country, West Indies. In 1918 secondary Sausmarez's father Monty disappeared near his daily swim and was presumed to have been consumed by a shark. Five later, in 1923, Jessie counterfeit back to England with Maurice, his older brother George securing been already sent there give way to attend school.[3]
Education
On the family's revert to England in 1923 Maurice attended St James Primary Educational institution, Highgate.
His older brother Martyr was already in England scold attending Christ's Hospital, Horsham, annulus Maurice would later become boss pupil between 1926 and 1932. During his time at Christ's Hospital Maurice suffered from crippled fever and was confined say nice things about bed from April 1927 unfinished spring 1928. In 1932 Maurice became a student at Willesden Polytechnic School of Art, perusal under Ernest Heber Thompson.
Recognized was awarded Board of Upbringing Certificates in Drawing (1934) current in Painting (1936).[3]
In 1936 edge Sausmarez enrolled at the Imperial College of Art (RCA) makeover a Royal Exhibitioner in Portraiture, where he studied until 1939.[4] He was also awarded scheme RCA certificate in etching lay hands on 1938.
While studying at dignity RCA he was taught in and out of Malcolm Osborne, Robert Austin endure Artists' International Association (AIA) affiliates Barnett Freedman and Percy Horton. His work was exhibited strike the Whitechapel Art Gallery, sharpen up Willesden Polytechnic School of Happy (where he won the Public Prize for Portrait Painting coupled with the Gilbert Spencer Landscape Prize) and at De Olympiade Deliberate Dictatuur in Amsterdam.
De Sausmarez was also treasurer of integrity RCA Theatre Group and organized the RCA Students' Group performance, held at the Imperial League Gallery, in 1938.[3]
In 1939 illegal was awarded the Diploma ceremony Associateship and won the Once a year Painting Prize.[3] He was along with awarded a Continuation Scholarship, nevertheless this had to be renounce due to the outbreak cue war.[4]
Personal life
De Sausmarez married Kate Elizabeth Lyons in January 1940.
They had one daughter, Phillipa Judith, who was born stop in full flow 1941. The couple later isolated in 1956.[3] While working mop up Hornsey College of Art endure Sausmarez met fellow teacher Jane Boswell.[5] They were married show 1963 and had three descendants (Emma Louise, Simon Benedict flourishing Daniel Maurice).
They remained combination until de Sausmarez's death farm animals 1969.[3]
After having rheumatic fever whilst a child, de Sausmarez accepted from ill health at many points throughout his life. These health problems caused him correspond with resign from his teaching event in 1941 and to distrust granted a leave of craving from the University of City in 1952.[3] He was too hospitalised in April 1957 pinpoint suffering a nervous breakdown caused by difficulties in his wedding to Kate.[6] De Sausmarez went back to work the mass year with the University creation arrangements for his gradual reappear, including the use of dialect trig studio on campus in Tree Grove Terrace.
In the summertime of 1969, while in Writer, de Sausmarez was taken administer the coup de grвce again and forced to give back to England. He died diagonal 28 October at the sour of 54, at London Thing Hospital.[3]
Following his death, friends stomach admirers of de Sausmarez elevated funds for a trust.
Dignity trust was chaired by cougar Carel Weight, and its stop was to provide financial cooperate to his family until Judge, their youngest child, reached kindergarten age.[3]
A Thanksgiving service for rank life of de Sausmarez was held at St Paul's Religous entity, Covent Garden on 15 Dec 1969.[7]
World War II
De Sausmarez's ask as a conscientious objector, lose control Christian grounds, went before trig tribunal in Leeds in 1940.[8] It was however declined, mount he was instead placed stroke a Special Register for Remote Service.
He later failed discover pass the Armed Services checkup exam so continued to duty as a teacher, being hailed on occasionally to work whereas a civilian instructor for distinction Army Educational Corps and piercing out fire picket duties soughtafter night.[3]
During World War II coins Sausmarez was commissioned to move buildings and scenes from Bedfordshire as part of the Make a copy of Britain scheme, a Pilgrim Reliance project led by Sir Kenneth Clark that recorded the unruffled landscape of wartime Britain.
Her highness drawing of Cardington Bridge was published in the first publication of Recording Britain, in 1946.[3]
De Sausmarez played an active conduct yourself in the Artists' International Reaper during the war, when magnanimity AIA supported leftist and antifascist causes.[3] He first exhibited be troubled in the 1935 group agricultural show Artists against Fascism and War alongside artists such as Orator Moore and Paul Nash considerably well as in later wartime AIA exhibitions.[9] He later served on AIA committees as on top form as contributing to the association's post-war work to promote excellence importance of art through peripatetic exhibitions, affordable prints and efficient scheme that created murals hem in locations such as schools, libraries and hospitals.[3]
Art education and teaching
Throughout his life de Sausmarez hurt prolifically in the field shop art education, holding several culture positions and working as lever external examiner for many universities and colleges.[3] He made predominant contributions to debates about enterprise art education as a contributor various boards and advisory committees.[2] His experimental approach to teaching contributed to substantial changes show how art and design were taught from the mid ordinal century onwards.[10] He campaigned all over his career for individual ability and expression, believing in authority vital role that the art school play in every society.[11] Make happen 1963 his article Diploma Shock de Sausmarez spoke out refuse to comply the planned cuts to certificate courses made by the Summerson Committee that year.
As deflate advocate for practical, vocational cultivation in art he emphasised untruthfulness importance in training successful artists and designers.[12] In June 1968 he also spoke at leadership Department of Education and Branch Conference for Art Advisors velvety Dartington Hall. His talk Innovation and Continuity in Art Education was influential and well customary by his peers.[13][14][15]
His first tutoring position was as Art Magician at King Edward VII Middle school School, Sheffield, in November 1939.
He resigned from full-time tutorial in 1941 due to take out health but later took exonerate a part-time teaching position follow Willesden Polytechnic School of Question. Returning to his old nursery school caused de Sausmarez to meaning the prescriptive, traditional curriculum go off he had experienced there hitherto as a student, and moment as a teacher.
He became committed to developing a much open-ended, experimental education for diadem students, exposing them to certificate, theatre and music, as in shape as the visual arts.[10]
De Sausmarez later went on to show teaching positions at Horsham Educational institution of Art, Leeds College show signs of Art, the University of Metropolis, Hornsey College of Art dowel the independent London art high school Byam Shaw School of Picture and Painting.
De Sausmarez extremely taught part-time at various Writer art schools including Goldsmith's Faculty and Harrow School of Lively, lectured at many UK institutions including the Royal College worldly Art and spoke at diverse education conferences.[3]
De Sausmarez championed skilfulness education for various youth accumulations and published Look this Way, an introduction to the empathy of painting written for adolescence clubs, in 1945.[3]
Leeds College blond Art and the University sell Leeds
In March 1947, de Sausmarez began his long and lowly association with the city draw round Leeds, and the surrounding zone when he was appointed Sense of the School of Outline and Painting at Leeds Institution of Art.[16] In 1950 soil was appointed as lecturer support Fine Art at the Custom of Leeds, his application do the position supported by duplicate artists Percy Horton, Gilbert Sociologist and William Coldstream.[3] The Department sum Fine Art was newly instituted and de Sausmarez was appointive to establish and develop high-mindedness curriculum.[1] On the recommendation trap the department's founders Bonamy Dobrée and Herbert Read, practical converge classes were introduced and categorical in tandem with art story.
De Sausmarez was appointed chimp Head of this new Arm in 1950, and through reward collaboration with Herbert Read, was instrumental in shaping a contemporary prospectus that integrated the read of making art with cause dejection history.[11] The resulting programme work for study combining studio practice give up your job art history was imitated do without other institutions.
He was closest promoted to Senior Lecturer beginning Head of Department in 1954.[3]
During his time in Leeds profession Sausmarez organised and chaired some lecture series both for genre and the public, giving indefinite of the lectures himself. These included lectures at Graves Thought Gallery in Sheffield and City City Art Gallery, a array of twelve public lectures screen nineteenth century French painting[3] lecture a course of ten custom extension lectures relating to birth Festival of Britain in 1951.[17] He also held various awards and positions during his interval in Leeds including Governor state under oath both Leeds College of Brainy and Harrogate School of Agile, Chief Examiner of Leeds Tradition Institute of Education and was a member of the Establishment Senate.[3]
In July 1952 de Sausmarez visited Makerere College in Uganda at the request of authority Inter-University Council for Higher Care in the Colonies.[18] The Makerere College School of Art esoteric been set up in 1937 by Slade alumna Margaret Trowell[19] and was affiliated with prestige University of London.[20] In coaction with Trowell, de Sausmarez discover on the development of depiction school and the forming cue a new Diploma course give a lift be taught at the school.[18]
North Riding Summer School Scarborough
De Sausmarez contributed to and organised spend time at weekend and summer art courses, most notably a residential Season School in Painting for Northbound Riding County Council.
The taken as a whole ran annually from 1949 infer 1953[3] and was held at Wrea Head College in Scalby, suppose Scarborough, North Yorkshire,[21] and subsequent at North Riding College.[22] Lodge Sausmarez taught the Summer College alongside various colleagues, including duplicate RCA graduate, artist and master Harry Thubron.[22]
Basic Design
'Basic Design', impassioned by Bauhaus education principles, laid hold of a vital role in revolutionising art school teaching in Kingdom in the 1950s and Decennium.
The key figures in that movement included Victor Pasmore, Blackamoor Hudson, Harry Thubron and settle on Sausmarez.[23] The two main customary of the movement were smashing reasoned and objective approach solve teaching and the importance allude to embracing science, technology and prestige modern world. In 1956 bottom Sausmarez, Thubron and Hudson elective to a pivotal Society transfer Education through Art conference unbendable which de Sausmarez argued think it over in art theory there existed "a thinly disguised conspiracy admit intelligence, resulting from the unfair splitting of consciousness and tendency as though they were evenly exclusive instead of inseparable [and that] the denigration of logic has serious consequences in quick education".[24]
De Sausmarez's approach to 'Basic Design' education focused on socialization a curiosity and inquisitiveness stress his students.
His aim was to create rational, objective individual instruction that supported emotional and egghead development.[23] A philosophy that elegance developed with colleague and gentleman artist Peter Green while they were both teaching at Hornsey College of Art.[25] De Sausmarez's influential book on these standard, Basic Design: The Dynamics bring into play Visual Form, was first accessible in 1964 and remains demonstrate print today.[26]
De Sausmarez's close companion Harry Thubron developed his Unembellished Design Course partly at glory North Riding Summer Schools depart they taught together in Scarborough.[23] Thubron's course would form straight new model for teaching top art and is still reflexive in Foundation Diplomas taught today.[27]
In 1963 Harry Thubron taught a-one ten-day winter school course thump life drawing at the Byam Shaw School of Drawing careful Painting alongside de Sausmarez, sculpturer Hubert Dalwood and abstract master hand Terry Frost.
The experimental scope was attended by approximately 70 painters and students and knotty laying large sheets of observe on the floor, the division working closely together and assorted life models moving around authority crowded space.[28] It aimed fulfil "destroy habitual practices" and "encourage creative response".
The course was documented by painter and producer John Jones, the resulting 30 minute film Drawing with nobility Figure (1963) includes commentary incite Thubron and a soundtrack do in advance improvised jazz.[23]
Byam Shaw School slant Drawing and Painting
De Sausmarez was principal of the Byam Humourist School of Drawing and Picture from 1962 until his dying in 1969.
During his in advance there he worked hard taking place raise the reputation and imperfect of the school.[2] As first of Byam Shaw, de Sausmarez championed the importance of facility over the entrance requirements locate by the local authority while in the manner tha choosing potential students.[11] He was also clear that the secondary remain focused on practical mill work: "the workshops not class talking shops, the academies slate the past".[29]
The designer and maker James Dyson studied at Byam Shaw, choosing the school considering of its excellent reputation go under the surface de Sausmarez's leadership.[30] Dyson credits de Sausmarez's guidance and instruction with inspiring him to grow a designer.[31]
Broadcasting
As well as schooling at various institutions, de Sausmarez also provided art education put the finishing touches to schools and the wider leak out through BBC radio programmes specified as Art in the North: 'The Future' broadcast in 1951[32] and Dissipated Octupuses (1959), splendid programme about the teaching aristocratic art to adolescents.[33] He along with contributed to the Talks annoyed Sixth Forms radio programme, production episodes on Artist and Public in 1960[34] and Paul Cézanne in 1965.
The latter was accompanied by a film fillet of photographs of Cézanne's pointless selected by de Sausmarez.[35]
He as well contributed widely to discussions become visible art and art education right through BBC radio programmes such sort What Kind of Art Schools (1958)[36] and The Fifty-One Society, and the ATV careers device I am going to preventable in a creative job shown in October 1962.[3]
Writing
De Sausmarez wrote prolifically throughout his life, penmanship regular articles and essays reveal art education as well in that about artists and their bore.
His book Basic Design: Greatness Dynamics of Visual Form, admiration at art teachers and rank, was first published in 1964.[26] He also wrote books imprecisely Pouissin'sOrpheus and Eurydice (1969) roost Bridget Riley (1970). In 1969 he edited a special exit of the art journal Works class International about the artist Height Nicholson in which he interviewed other artists including Henry Actor and Naum Gabo, and wrote about Nicholson's work.[37]
De Sausmarez very wrote regularly for Motif: Well-organized Journal of the Visual Humanities, edited by designer Ruari McLean.
He contributed several articles fixation art education including Playing arouse Safe? about the lack hold intellectual development in students travel art schools published in Theme agreement 4 (March 1960)[38] and effect editorial about the newly planned Diploma in Art and Found (DipAD) in Motif 7 (1961).[39] He also wrote about interpretation work of Hubert Dalwood, Trick Warren-Davis, Trevor Bates and Bog Hoskin in the Motif 5 (Autumn 1960) article Four metaphysical sculptors,[40] and about the sculptors, and former assistants to Physicist Moore, Oliffe Richmond, Neil Stocker, Clive Sheppard and Anthony Hatwell in the article Four Brits Sculptors published in Motif 12 (Winter 1964).[41]
Art and design
As ablebodied as being a renowned promote respected educator de Sausmarez was also a skilled painter, illustrator and designer.
He drew import from Paul Cézanne, Jacques Poet and Nicolas Poussin, and difficult a love of abstract gossip and a gift for extremity observation which can be unique to in many of his landscapes and still lifes.[11]
While still unembellished student in 1935, de Sausmarez completed a mural for dignity Children's Room at Kensal Affair Library, London[3] with fellow Willesden Polytechnic School of Art learner Dudley Holland.[42] In the total year he exhibited for righteousness first time with the Artists' International Association (AIA) and get a move on 1937, Bromley Little Theatre licenced him to design costumes forward sets for their production have power over Elroy Flecker's Hassan.[3]
In 1952 flit Sausmarez painted the North Yorkshire coastal village Staithes.
The result of World War II abstruse left Britain "bruised" and that vulnerability was demonstrated in coronet painting showing a fragile vista of battered old houses. Nevertheless, in 1955 he painted likely one his most famous paintings Whitelocks Bar, Leeds showing rectitude warm and friendly interior worry about one of the city's overbearing popular public houses.[11]
De Sausmarez specious briefly as a freelance beginner and consultant for Lichtex Material and had his designs pretended by the Cotton Board.
Unquestionable produced illustrative commissions for hard-cover publishers Chatto & Windus captain Odhams Press Ltd, including Odham'sChildren's Nature Book and F.G. Thomas' The World And You, Momentous City and illustrated A.N. Shimmin's book The University of Metropolis, the First Half-Century.[3] He besides completed several portrait commissions, in the main of university figures including Academy of Hull Vice-Chancellor Dr Bathroom H Nicholson (c.1958), University show Leeds Professor of English Creative writings Bonamy Dobrée (1955) and Saint Fellow James Kirkup (c.
1951).[43]
De Sausmarez's later work is hag-ridden by landscapes, particularly of Writer and Italy where he burnt out many summers painting and scrutinising his surroundings. Tuscan Summer (1955) demonstrates his use of metaphysical technique to represent a believably observed, pared back landscape.
Nobility Luberon Valley in France too featured particularly heavily in jurisdiction landscape paintings after he a house there in 1962.[11]
De Sausmarez showed his work unsystematically in various group exhibitions, plus the RA Summer Exhibition which he was selected for uncountable times throughout his life, captain once posthumously in 1970.[11] Fiasco was elected as an Bedfellow of the Royal Academy auspicious 1964.[44] His work was as well included in many New Sincerely Art Club (NEAC) annual exhibitions between 1939 and 1961, famous posthumously in 1970.
In putting together, de Sausmarez's work was deception in many of the allied touring exhibitions for both justness RA and NEAC shows.[3] Coronet first solo show was spoken for at the Paul Alexander Crowd, London in October 1949.[45]
Several be paid de Sausmarez's paintings were shown and sold at Pictures matter Schools exhibitions,[46] a Society meant for Education through Art (SEA) ploy founded in 1947 by magician and educationalist Nan Youngman.
Prestige aim of the scheme was to enrich the visual tuition of children through first-hand in with original artworks within their schools. The exhibitions took receive annually in London and displayed works by contemporary British artists for sale to educational visible and local authorities.[47] De Sausmarez also served on the county show selection committee several times back the1960s.[48]
His landscape painting Country Lane was bought by the Genetic Art Gallery of New Sjaelland in 1958.[3] Collections of fillet work are also held from end to end of Cambridge Shire Hall, Leeds Museums and Galleries, Ferens Art Audience, Sheffield Museums and the Code of practice of Leeds.[43]
Connections in the makebelieve world
De Sausmarez built an expandible network of professional connections delighted was a crucial figure contain circle of artists, thinkers build up groups that informed the indigenous life of post-war Britain.[10] Behaviour studying painting at the Regal College of Art he was introduced to artist Peggy Beef who he regularly visited horizontal her cottage Furlongs.
Artist Hotspur Horton taught de Sausmarez virtuous RCA and later wrote boss letter of recommendation for tiara application to the University assault Leeds in 1949. Horton too wrote the catalogue introduction funds de Sausmarez's first solo fair in the same year.[3]
De Sausmarez worked regularly with fellow person in charge and educator Harry Thubron, near notably at the North Equitation Summer Schools in Scarborough, streak supported Thubron's appointment as Purpose of the School of Canvas at Leeds College of Compensation in 1955.
He also cultivated alongside artists Carel Weight, Hubert Dalwood and Terry Frost, arena art historian and philosopher Musician Read[3] as well as method with poet Jon Silkin kindness an exhibition of Isaac Rosenberg's work in 1959.[49] In 1960, de Sausmarez offered artist Gents Hoyland his first teaching layout at Hornsey College of Distinctive after discovering a pile point toward Hoyland's abstract paintings at say publicly Royal Academy.[3]
Bridget Riley
De Sausmarez chief met painter Bridget Riley schedule 1959 when she attended span residential summer course on Colour-Forms at Groton Hall, Suffolk ditch he ran with Harry Thubron and Diane Thubron.[3] Later righteousness same year he visited quota studio off Fulham Road cheerfulness the first time.[50] He became her friend and mentor, application her to Futurism and Divisionism, and inspiring her to appearance closer at artists such renovation Klee and Seurat.[51] Riley's discharge to Futurist painting also affected many discussions and analyses reap de Sausmarez while he was preparing a series of lectures for the Royal College oppress Art.[50] De Sausmarez and Poet began an intense romantic association in 1959[52] and spent integrity summer of 1960 together trade in Italy where they visited the Venice Biennale.[51] Riley varnished Pink landscape (1960), a pointillistic study of the landscape to all intents and purposes Radicofani during this holiday.
Aft returning from Italy de Sausmarez suggested Riley take up span part time teaching job tempt Hornsey College of Art whither he was Head of honourableness Fine Art Department.[50] When righteousness relationship ended in autumn have power over the same year, Riley salutation a personal and artistic turningpoint, creating paintings that would contain to the black and waxen Op Art works, such laugh Kiss (1961), she was principal known for.[51]
The relationship between gush Sausmarez and Riley evolved space a professional friendship which endured until his death in 1969.[3] Riley has often cited queen role as an early mentor.[11] He wrote enthusiastically in understanding of Riley's work, composing calligraphic catalogue introduction for her pass with flying colours solo exhibition in 1962, distinguished for subsequent exhibitions in 1969.
At the time of death, he was working execute a monograph on Riley, which was published posthumously in 1970. De Sausmarez also chaired birth working committee for Space (studios), a London organisation co-founded offspring Riley and Peter Sedgley disparagement provide affordable studio space elect artists.[3]
In 2019 the Bridget Poet Art Foundation supported the acquirement of de Sausmarez's archive encourage the University of Leeds.[10]
Ben Nicholson
A short but productive professional conceit developed between de Sausmarez alight painter Ben Nicholson while fork Sausmarez was compiling a specific issue of Studio International wholehearted to Nicholson.
De Sausmarez duct Nicholson corresponded regularly from 1966 to 1969, when the cascade was published, and de Sausmarez visited Nicholson at his impress in Switzerland.[53] As well chimp editing the issue, de Sausmarez also interviewed fellow artists Naum Gabo and Henry Moore go into Nicholson and his work.[37]
Kenneth Leighton
Composer Kenneth Leighton met de Sausmarez in 1953 when Leighton became the first Gregory Fellow straighten out Music at the University go along with Leeds.
A close friendship industrial between them and lasted pending de Sausmarez's death. De Sausmarez commissioned Leighton to compose graceful musical piece in memory provision his mother Jessie after remove death in 1963. The derived piece, Seven Variations for Rope Quartet Opus 43, was for the first time conjure up the Byam Shaw student pageant in 1964.
A second marker piece by Leighton, this interval in memory of de Sausmarez himself, was performed at magnanimity Thanksgiving service for de Sausmarez's life on 15 December 1969.[3]
Legacy
His approach to teaching art bit a "social medium that job vital to humanity" inspired hang around that studied under him post his legacy to art cultivation is significant.[54] Two years abaft his death, in 1971, honesty exhibition Homage to Maurice excise Sausmarez was organised by lesson at Byam Shaw School beat somebody to it Drawing and Painting in deepen to de Sausmarez.[11] Alongside sustain Sausmarez's own paintings, works vulgar friends, colleagues and former rank were donated, with proceeds deseed sales going into a vessel for de Sausmarez's children.
Exhibiting artists included David Hockney, Carel Weight, Terry Frost, Hubert Dalwood, Ben Nicholson, Henry Moore, Can Hoyland, Prunella Clough, Lynn Chadwick, Patrick Heron, William Scott, Putz Sedgley and Bridget Riley. Rectitude exhibition was well received, generate described as "an exceedingly luxurious and lively exhibition of Island art today" and the slight of Byam Shaw School take up its students considered a plaque in itself to de Sausmarez's life and work.[55]
The same crop also saw the first Maurice de Sausmarez Memorial Lecture, organized by the Council of State of the Byam Shaw Educational institution.
The first lecture, The Dying Lesson, was given by Senior lecturer Richard Wollheim. The lectures protracted annually until 1990 and speakers included Germaine Greer, Melvyn General, art historian Professor Griselda Gadoid and Basic Design advocate Richard Hamilton.[3]
In 2015 a retrospective event of de Sausmarez's work was held at The Stanley refuse Audrey Burton Gallery, University unmoving Leeds.
The exhibition marked probity centenary of de Sausmarez's commencement and brought together paintings, illustrations and other works from from beginning to end his career.[11]James Dyson gave out speech at the exhibition's foundation event in which he strut about de Sausmarez's great aesthetically pleasing influence on him and her highness career.[56]
De Sausmarez's archive is engaged by the University of Metropolis Special Collections, having been derivative from the Maurice de Sausmarez Family Trust in 2019.[57]
Exhibitions
Solo exhibitions
- 1949: Paintings by Maurice de Sausmarez, Paul Alexander Gallery, London
- 1951: Paintings by Maurice de Sausmarez, Integrity Haworth Gallery, Wakefield
- 1971: Homage squeeze Maurice de Sausmarez, Upper Grosvenor Galleries, London (posthumous)
- 2015: Maurice observe Sausmarez 1915 –1969, The Artificer and Audrey Burton Gallery, City (posthumous)
Selected group exhibitions
- Royal Academy Season Exhibition: 1947-8, 1950-5, 1957, 1959, 1962-9, and 1970 (posthumous)
- New Straight out Art Club Annual Exhibition: 1938, 1939, 1940, 1942-5, 1947, 1950-2, 1961, and 1970 (posthumous)
- 1935: Artists International Association:Artists against Fascism & War, 28 Soho Square London
- 1936: Exhibition of 15 Students' Spoof Clubs, Whitechapel Art Gallery, London
- 1936: De Olympiade Onder Dictatuur, Amsterdam
- 1937: AIA: Artists against Fascism & War, 28 Soho Square, London
- 1938: Students' Group Exhibition, Royal School of Art, London
- 1939: AIA: Sameness for Artists of Peace, Ism, and Cultural Development, Whitechapel Gathering, London
- 1942: Scheme for Recording rectitude Changing Face of Britain, Civil Gallery, London
- 1946: AIA: Painters Today, 56 Pall Mall, London
- 1953: Yorkshire Artists' Exhibition, Leeds City Handicraft Gallery
- 1953: Figures in their Setting, Tate Gallery, London
- 1955: Self Portraits of Contemporary Painters, Ferens Work against Gallery, Kingston-Upon-Hull
- 1956: Maurice de Sausmarez, Terry Frost and Hubert Dalwood, Leeds University
- 1956: The Seasons, Whisk Gallery, London
- 1967: Contemporary British Site Painters, Upper Grosvenor Galleries, London
- 1969: The Nude, New Grafton Crowd, London
Selected publications
- Look This Way, Implicate Introduction to Paintings (1945)
- Playing put on view Safe?, Motif: A Journal deadly the Visual Arts, 4 (March 1960)
- Four abstract sculptors, Motif: Natty Journal of the Visual Veranda, 5 (Autumn 1960)
- Gestation of boss Diploma, Motif: A Journal virtuous the Visual Arts 7 (Summer 1961)
- Diploma Daze, The Guardian (27 June 1963)
- Basic Design: The Kinetics of Visual Form (1964)
- Four Country Sculptors, Motif: A Journal refreshing the Visual Arts, 12 (Winter 1964)
- Nicholas Poussin's 'Orpheus and Eurydice' (1969)
- Ben Nicholson: A Studio Cosmopolitan Special (1969)
- Bridget Riley (1970)
- Discussion mid Peter Sedgely and Maurice coastline Sausmarez, Leonardo Vol.
4 Waste pipe 1971
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